| to be expanded... Jazz
practically
every aspect is different from classical playing (sound, equipment, articulation, patterns,
Sound:
can be explained in different ways:
warm air, larger air column (jazz) vs. cold air, focused pinpoint air stream
(classical)
more overtones in jazz sound, subtone-like, no vibrato
each note has its individual quality to exploit, classical (string-like)
playing strives for evenness
flat end of pitch that the sax allows (push in) blow down, play with tuner
Equipment: softer reeds than classical (LaVoz, Rico), many kinds of
mouthpieces
Articulation:
no ta-ta articulation, often begins with breath attack
Scales: pentatonic, blues, arpeggios to 13th, modes, patterns/licks,
usually use bis Bb, almost always front E, F
There are many ways to approach learning jazz. Learn the theory, learn
the tunes, listen/imitate, improvise (all must be done, in any order) 1) Develop the ear; play simple, question/answer
melodies; Listen rhythmically, improvise melodically with a drum;
sing then play, transcribe solos 2) Imitate: play (memorize) transcribed solos, imitate
every nuance, inflection 3) know the theory: practice sheet method for
progressions (roots, roots/3rds, 3rds/7ths, 1357, 3579...), transpose
licks/patterns (especially for ii V I) to all keys, play with Band in Box or
Aebersold, memorize chord changes (visualize keyboard or staff, or hear
root/bass in your ear), literally move feet to simulate organ pedals. Common
progressions: blues: I IV
I I IV
IV I
I V7
V7 I
V 4) Memorize many tunes (and learn the words), bring out characteristic qualities of the tune, in your solo (specific notes, intervals, contour, rhythm)
resources: fake book, Abersold, etudes Turpen diss, Doubling - articles to be expanded...
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